Sarah Darkmagic

A few months ago I was fortunate enough to find Artist & Craftsman Supply in Central Square, Cambridge, MA. I had been looking for some colorless blending pencils from Prismacolor one day and we decided to give them a shot. I'm so glad we did. Not only do they carry art supplies for all sorts of "serious" arts and crafts endeavors (they carry professional materials for everything from oil painting to bookmaking/binding, but they make an effort to include neat student level products as well, include at least three different sets of gel pens from Sargent Art.

The three sets are fluorescent, glitter, and metallic. Each set comes with 10 different pens and is packaged in a reusable pouch with snap. Before I go to far into my experiences with coloring with them, I wanted to give you an example of the different colors available and how they did on various paper. First up is a smooth white cardstock.

The colors here are all vibrant and the pens wrote fairly well. I did have some issues with the fluorescent gel pens which I think will be easier to see on the other papers, but I still liked them overall.

Here's the same pens, in the same order, on a piece of green cardstock.

Again, I think the ink went on pretty well on the smooth paper. Obviously, the green shades are a bit harder to see. For the fluorescents, some of the colors aren't quite as vibrant and seem a bit duller. Also, I feel like the glitter pens fared much better than the metallics.

Finally, here's the same pens on a piece of black construction paper.

The construction paper definitely presented some challenges with getting the gel to come out smoothly. However, while some of the fluorescents had issues, especially the yellow and orange ones, overall I thought they held up pretty decently. Unlike the green cardstock, the glitter pens didn't do as well as the metallic gel pens. Mainly the glitter pens on this paper look like I put glitter on the page, with the exception of the more silver colored one.

A few other things to know about the pens. As you may be able to see in some of the images, the ink can pool sometimes, especially at the start and end of the lines. Also, the line isn't always consistent. Finally, these inks can take awhile to dry and are easy to smudge if you're not careful (left-handed people in particular might want to take note of this).

I forget exactly how much I paid for them, but I believe it was under $6 for each set. When I consider that I pay nearly a third to half that for one metallic silver Uniball pen, I think they are worth the price. I love using them as accents on my coloring.

Here's an example where I used my Crayola Super Tips markers to color a flower in yellow and then went over it with the orange and yellow glitter pens.

I used the metallic gel pens to color in the crowns on this page.

The important part here, in my opinion is to just have fun and don't feel that just because it's in the kids' area that you can't have fun with it and create cool stuff.

Now that I have card stock, I can try out a few things I've been wanting to do. The one I happened to pick up is called Accent Opaque Digital by International Paper. It's 8 1/2" by 11", smooth, 65 lb, and white. I paid $11.99 for 250 sheets. For the experiment, I printed out one of the images from the history of Paris book I detailed in this post.

So first, the tools. In addition to my Crayola color pencils, I used baby oil, a palette (it has handy reservoirs for holding the oil), and tortillions.

Tortillions are pointed stubs made out of rolled paper often used for blending with graphite pencils. The way this works is that you color an area you like with the color pencil. Once you have the color the way you like it, you dip the tip of the tortillion into the well of baby oil and then go over your color pencil with it. It should smooth out the color a bit and help blend colors that are adjacent. Here are some before and after examples.

Things to know:

• The oil didn't go through this cardstock but you should always check yours on a spare piece before using.
• It's important that you have the color where you like it *before* using the baby oil. You won't be able to go back over it later to add more color.
• Some people have used cotton swabs instead of tortillions and liked the results better. I didn't try them here, but they seem to be great for larger areas.
• The tortillions can hold on to the color a bit. You can clean it off (and resharpen it) on a bit of sandpaper. You could also get several and reserve one for each color family.

If you are interested in learning more, here are a few videos I found useful.

Eventually I'd like to use Gamsol, which seems to work a bit better from the videos and allows you to go back over it with color (which baby oil does not). But it's also flammable and the fumes are toxic so I'm going to hold off for now until my technique overall is better. But, if you are interested, here's a great intro video on using it.

Content Note: Rape, Sexual Assault

Yesterday OneBookShelf released its updated policy. While I think it's a good thing that there is now a policy, I have several issues with it. Many of my issues, especially the lack of an actual apology for the way Steve Wieck acted are covered by this article.

Here, however, I want to concentrate on a particular portion of the post describing the new policy and the reasoning behind it.

2. When we were first alerted to the offensive nature of the book, I used administrator privileges to download and skim through a copy of the book. At its core, the book was an adventure supplement where the goal of characters was to stop demonic entities who were perpetrating sexual violence and murder. The rapists were clearly the villains to be stopped, something that I believe many critics of the book could not have known from the book's title and vague description.

Sounds possible right? Those people who reacted to the limited information they had just over reacted because they had no idea what was actually in the book. As others have put it, the book really is about good guys fighting clear (if perhaps ill-advised design wise) bad guys. Silly SJWs!

Except it's not an accurate portrayal of the book. Yes, the characters in the book are categorized as bad guys (there's a caveat here that I'll go into later). Yes, the players are intended to fight them (again another caveat). However, it is not true that the goal of the players is to stop these NPCs because they are the bad guys or villains. That is one of several options offered AND in multiple suggestions the player characters could have completely different reasons for wanting to participate in the Tournament including that the player characters themselves are bad guys.

I had included the screenshot of this section yesterday, but I think it's worth writing out the content so it is accessible to everyone.

Involving the Players

It's possible that the player characters might get involved in the Rape Pure for reasons of their own. While it's likely the heroes might encounter one or more Rape Pure Fighter's on their own terms, attacking the fighters in ambush, on the street. However, the campaign might take a dark turn that drives the heroes into the Rape Pure itself.

It's possible to compete in the Rape Pure and keep your honor. Sexual violence is a threat, but (usually) not a requirement. It's not necessarily to violate a fallen adversary, only kill them, and most adventurers hold moral codes that demonize rape, but not cold blooded murder. Of course, it's possible that your player characters are pure bastards, and are every bit as horrible as the Rape Pure's worst fighters.

Among the reasons that players might be forced into the Rape Pure:

• Kidnapping is the most obvious route, as someone precious to the characters is stolen and claimed as a tournament's prize.
• The player characters are hunting a particular horror, possibly Taru Tsuyoi himself, and the Rape Pure is the only place they know he'll be, making the bout their only viable avenue of attack.
• Martial artist PCs might enter the bout to test their skills and build a reputation among the deadliest fighters in any of the three realities.
• The heroes might belong to one of Black Japan's military or police organizations, sent undercover to put a stop to these atrocities once and for all, their consciences be damned.
• A Rape Pure bout might be cover for an unrelated matter, such as a meet with a contact, or an assassination that takes place in the chaotic press of the crowd.
• The heroes might be tasked with finding and rehabilitating a Rape Pure fighter, likely a Fallen Eyrines, rebuilding the warrior's soul and reawakening his or her honor.

Also, while the involvement section says it's likely the player characters would meet one or more of the fighters on their own terms (meaning outside of the tournament), the supplement doesn't provide any suggestions for setting that up. Instead we get the rules of the tournament, a d20 random table of places where a tournament might take place, and a d20 random table of who is in the crowd watching the tournament.

Additionally, remember that caveat that the NPCs and creatures presented in the book are all the "bad guys?" Well one of the ways to involve the player characters is as an attempt to find and rehabilitate one of the fighters, in particular one of the Fallen Eyrines. I think it's important we look at that description.

Short Description:

Fallen Eyrines – CR 6 – Medium LE Human Monk (hungry ghost) 7 – A former vigilante who discovered she had more in common with the Rape Pure monsters she was killing than she realized

Long Description:

She fought her first Rape Pure bout for the best of intentions.

Undercover to save a woman’s life and sanity, or to kill some sadistic motherfucker who used his dick like a weapon. She took the kill-shot and realized she liked it. She fought another bout, killed another monster, but she took her time with this one. Made the kill hurt. She could’ve pushed the bastard’s nasal cartilage up through his frontal lobe, ended it instantly, but she didn’t. She broke fingers, snapped rips, dislocated knees, severed testes. Enjoyed the work, the kill. She enjoyed the next kill, breaking some Rape Pure bastard with her strong bare hands even more, not even noticing that her anti-rapist supernatural talents were starting to sting every time she activated them.

A few more kills under her belt, and when she tried to call upon her Eyrines power, her hands burned. She realized what she’d become - a monster getting a thrill off domination and violence. She was only one thin moral notch above the men she was killing. She left the Okinawa safehouse, knowing she wasn’t worthy of sanctuary there anymore, and worried her former sisters might execute her. Or worse yet,rehabilitate her.

Now, she keeps to the shitty neighborhoods. To the shadows and the capsule hotels, always sits with her back to a wall. The other Rape Pure fighters want her cunt, carved out and put on a plate. The oni she used to want the same damn thing. Her sisters? Do they still have her back? She doesn’t know. Probably not. The only thing that makes her feel even remotely human is the call to a new Rape Pure, Hell’s very own ringbell. She either kills another human cockroach, or she gets killed herself and the nightmare is over. A win either way.

We can understand wanting to explore that line between hero and monster, right? But if we are to believe the narrative, that the players only play good guys who are out to hunt down these rapists, does this not undercut that? A fallen Eyrine is not a clear cut "bad guy" but rather a warning of what happens when one attempts to view the world in such stark terms. Likewise, the intent from the section on including players is that this character is meant to be someone the player characters can try to redeem. The intent is not that they should fight her, although as with everything in this book, they can if they want to.

Now, I don't want to be misunderstood. I am in favor, in general, of having shades of grey in my game. I actually fear oversimplification and the reduction of most everything into terms of good and evil, lawful and chaotic, more than anything in this book.

But what I am tired of are people who present a false narrative of what is in the book, particularly trying to explain this book as a book full of bad people that the players, as good guys, are intended to fight. While it likely makes the people saying that feel better, it's just not true. You don't have to condemn it for what it is (although you can if you want to), but don't misrepresent it either.

Furthermore, even if that narrative was true, that doesn't protect the book from criticism. As Steve does point out, at least some of the content was not written in a way sensitive to the subject. I'd argue it is way more than just some but that's another matter. We need to be able to discuss this content and not be told by the distributor that we're wrong for doing so. We need to be able to discuss this treatment and not have that criticism be dismissed because they are bad guys.

And this is why the discussions that surround these products are often so toxic. People dismiss saying, "oh it's not that bad" or "well, that's not what was intended," when, in reality, it actually is that bad and intent doesn't matter when discussing the harm done. When other people call them on it, they say it's the people raising the concerns who are toxic. BULLSHIT.

And this is not about removing all books that deal with difficult or dark topics. Are there some people who are calling for that? Sure. But the vast majority are saying that they want to have a discussion about how these topics are presented. If people are allowed to say that they think this title should be present on OBS, you have to allow for people to say the opposite, especially if you say you value free speech. Saying that something shouldn't be there doesn't magically make it not there. In this case, a thorough review was done before it was fully removed from OBS and the current policy proposal reinforces that with the exception that it might not be available during the review IF it looks questionable.

However, until Steve can demonstrate that he understands what people were actually saying (he doesn't have to agree, just demonstrates that he understands), I'm sorry, I can't use the site anymore. I'm looking into removing the urls that I have on this site that point to OBS and I'm telling Jeff that I, personally, will no longer direct people to D&D Classics on the Tome Show podcast. Before backing any future Kickstarters, I will ask if they have alternatives to OBS for distribution and if not, sorry, I will not back. I will work with all creators to find alternatives to buying their products but I cannot and will not support OBS because I can't trust Steve's judgement at the moment.

Content Note: Rape, Sexual Assault

“Publicity is justly commended as a remedy for social and industrial diseases. Sunlight is said to be the best of disinfectants; electric light the most efficient policeman.” - Justice Louis D. Brandeis

Recently a product was added to DriveThruRPG that has caused quite a bit of controversy. The pdf, "The Tournament of Rapists," claims to detail a group of sexual predators who all participate in contest (with a multi-billion yen fight purse) in which they kill and rape to win.

The Tournament of Rapists details the sadistic Rape Pure Fight circuit, expanding on what you've seen already and introducing dangerous new sexual predators. The sadistic bloodsport takes place in abandoned office buildings and atop Tokyo rooftops. An assortment of superhumanly powerful and inhumanly misogynistic men, and even worse women, step into impromptu fighting arenas, killing and raping the weaker in search of a multi-billion yen fight purse provided by a half-oni billionaire in thrall to dark impulses.

I'm not going to sugarcoat things. This is horrendous in and of itself, and people were right to complain about it, especially when it originally was added to the store with the Pathfinder flag set even though it violates the Pathfinder guidelines. However, as is often the case in situations like these, the response from DriveThruRPG was worse than the original incident.

For days I read comments on social media from an employee at the company. I want to make it clear that he said we as speaking for himself, not the company, and I will not directly quote him here or release his name. However, he was speaking about the concepts that surround this controversy, specifically that people pointing out that this existed were doing the wrong thing and questioning whether or not they or anyone should be gatekeepers of content. That's right, he was blaming the people offended by this pdf. One of the claims he and others made would be that if people didn't comment on it, it would just fade into obscurity and that the creator would realize it wasn't profitable and hopefully stop.

Except there's one glaring issue with this. As the product copy says, this pdf "expand[s] on what you've seen already and introduc[es] dangerous new sexual predators." This means that there are already sexual predators in the setting and this work is just an expansion of that. While it doesn't mention it in the copy, this sourcebook is part of the Black Tokyo setting. It's hard to know exactly which books are part of Black Tokyo on DriveThruRPG, but when I search for Tokyo and Urf, I get 43 items.

One item on the list is Black Tokyo: Chastity and Depravity. The product copy for that book starts with:

Black Tokyo began as a passing whim, evolved into a complete gaming supplement, and somehow, against all the odds, became one of the best selling products ever released by either Skortched Urf Studios or the fledgling Otherverse Games. Despite the extreme subject matter, and adults only purchasing restrictions, Black Tokyo has sold... and sold... and sold some more. So we are now pleased to announce the long-awaited follow up to Black Tokyo

Another work in the game is Black Tokyo Legends -Sex and Story. Here's the product copy for that book.

Sexuality defines Black Tokyo- enjoying wet pleasure with willing (or not) new lovers, exploring the limits of the body and the limits of morality itself are as important of challenges as slaying oni and battling Amakaze minions. Convincing a cute 19 year old bishonen to offer you his virginity is a function of social skills- especially Diplomacy, though less honorable and more sexually predatory characters can try their luck with Bluff or Intimidate.

The Tournament of Rapists is not the first work in which rape is made a part of the game. Across multiple product descriptions, part of the setting is that the PCs don't have to be good people. This is definitely true in The Tournament. The text allows for PCs to join in the bloodsport or otherwise ally with the participants and it's not even clear that they would have to fight the characters listed therein. So people who are trying to position this book as a group of bad guys that the PCs are to fight against are just flat wrong. While groups can decide to use it that way, it's not a position the work itself takes.

Finally, I think it's important to understand what is actually in the book. Especially for people who like to "give the benefit of the doubt," it's easy to argue that what is in the book can't possibly be that bad and believe that like many other works that deal with adult content, there is a fade to black before things get really bad. So here are a few examples.

Phallic Swarm

They have an ability called Triggering:

Phallic Swarms are basically the raw concept of rape incarnated, and are especially fearsome enemies to those who have suffered previous sexual abuse. Any creature that has ever been raped or sexually abused is considered paralyzed for 1 round if it falls victim to the Phallic Swarm's distraction ability.

That's right, they made PTSD into a mechanic. Also note how under Melee, they do 1d8 pleasure damage. WTF?

MRA Woman-Breaker

Oh look, an MRA character that just had to go to Black Tokyo to participate in the competition because it's everything he's ever wanted. Charming! But also notice that none of this description undercuts the MRA. For instance, his sense of fragile superiority gives him an actual bonus against women. It's not included in this screenshot but the text also says he's handsome, even saying "of course he is."

Why go through this exercise? Because it's important to understand the actual product and the fact that it comes from a setting with other products that explore these same concepts before we can discuss the impact of the comments, especially those made on twitter by the CEO of DriveThruRPG. You can see the majority of those comments in this post.

First, notice that the Pathfinder tag and age restrictions were added by DriveThruRPG, I believe after the initial round of complaints. Had no one said anything, I believe it's likely it would have stayed as originally submitted, but I may be wrong on that.

Then we get this interchange between Jessica Price and Steve Wieck.

@DriveThruRPG @Sphynxian @erikmona @digitalraven Would you host a game in which you play a KKK member and beat up minorities?

— Jessica Price (@Delafina777) August 28, 2015

I'm going to give Steve the benefit of the doubt and suggest that he may have believed the false narrative that this is a book of bad guys for the PCs to beat up. However, that doesn't excuse the actual response in the context of the original question. If that is what he was thinking, then he should have responded, "Hey, I think there's a misunderstanding here..." and stated his understanding of the product. Instead, this seems to perform a false equivalence on the two types of adventures, suggesting that to ban on would necessitate the ban on the other.

@Delafina777 @DriveThruRPG @Sphynxian @erikmona @digitalraven Should we ban MC's Bk of Vile Darkness. It discusses playing evil PCs?

— Steve Wieck (@stevewieck) August 28, 2015

This is the comment that made me decide not to use DriveThruRPG or the family of OneBookshelf in the future. The argument here is just maddening and shows that he not only doesn't understand the product he is defending but also that he fails to understand the objections to said product. The Tournament goes multiple standard deviations beyond the Book of Vile Darkness, so much so that the only proper first response to this tweet is to roll on the floor laughing.

I get that with Twitter it's hard to have nuanced arguments, but then the best thing to do is not to get into them on Twitter. And if you decide to anyway, it might be a good idea to make sure you understand both the work and the arguments being made by the other people. In addition, try not to make false equivalencies during your argument or oversimplify if what you are arguing is that the other people are oversimplifying.

Additionally, don't make arguments that ignoring a product will make it go away when it's clear that the product in question is a continuation of previous products that people have ignored that had similar themes. It's already clear that the publisher is not going to cease creating this type of product. And even if it was created solely for the purpose of getting attention (I'd argue that is possible since it seems to be the first work in the series that doesn't have the author's name on the cover), understand that ignoring it doesn't suddenly make our community better. Instead, what will happen is that it will be whispered about among those who are offended and even harmed by it and one day the whispers will get out and everyone else will feel blindsided and argue that such things can't possibly exist.

I care less about the arguments over whether or not the ban the product than I do this hurtful reaction that happens nearly every time something like this happens. Please, stop blaming the people who are harmed by the product and get educated on the issues so you can discuss this without doing even more harm.